Album Review: Clipse’s Let God Sort ’Em Out Is a Triumphant Return for One of Hip-Hop’s Most Iconic Duos

Over fifteen years. That’s how long hip-hop heads have waited for this moment. And finally, Clipse—one of rap’s most iconic duos—delivered with their new album Let God Sort ’Em Out. This isn’t just a reunion project; it’s a masterclass in storytelling, lyricism, and growth. For fans of bars, brotherhood, and pure rap, this album is everything we’ve been missing.

What made this comeback feel even more special was the return of Malice (formerly No Malice). Now 52 years old, Malice stepped away from secular music years ago to pursue a more spiritual path, similar to what Mase did when he left hip-hop for the pulpit. His return adds weight to the album, both emotionally and lyrically. And let’s be clear—he hasn’t missed a step. In fact, he might be sharper than ever.

Meanwhile, Pusha T held down the legacy of Clipse over the years, dropping solo classics and making noise with GOOD Music. But hearing him back alongside his brother just hits different. There’s a level of comfort, chemistry, and conviction that can’t be faked. And now, with Pharrell fully in his producer bag again—without Chad—the trio has crafted a focused, cinematic 13-track album that feels timeless.

We first caught a glimpse of this project when they previewed music during Pharrell’s Louis Vuitton show at Paris Fashion Week. It set the tone. This wasn’t just a music drop—it was a moment. Then came the press run, and that’s when it really clicked. No TikTok challenges. No viral gimmicks. Just thoughtful interviews with The Breakfast Club, Joe Budden, Ebro, and more. They told stories that reminded us why we fell in love with their music in the first place. Their NPR Tiny Desk performance? One for the books. Crisp delivery, unmatched cadence, and presence you can't teach.

The album opens with “The Birds Don’t Sing,” a personal track dedicated to their late parents. It sets the emotional tone for the project—raw, reflective, and real. Track two, “Chains and Whips” featuring Kendrick Lamar, has been one of the most talked-about songs since the release. The bar work on this track is top-tier, and Malice absolutely spazzes without using a single swear word. That’s rare in today’s rap landscape. His maturity and integrity shine throughout the album, offering a refreshing contrast to the noise we usually hear.

Malice’s return seems to have also brought out a more grounded and focused Pusha T. Throughout the press run, Push didn’t hold back—taking subtle shots at former collaborators like Ye and Travis Scott. On the standout track “So Be It,” he goes directly at Travis, reminding listeners that he's still one of the most calculated lyricists in the game.

And then there’s Pharrell. His fingerprints are all over this project. The beats are lush, textured, and elevated—reminding everyone why Pharrell is still him. There's even some quiet debate brewing online about who had the best performance on the album: Pharrell with the production? Pusha with the sharp bars? Or Malice, whose comeback has added a whole new chapter to his legacy? We’ll let you decide.

Some other standout tracks include “FICO,” “P.O.V.,” and “So Far Ahead.” Each song brings something different, but they all sit comfortably in the Clipse universe—gritty, luxurious, and unapologetically real.

When it’s all said and done, Let God Sort ’Em Out is a reminder that legends can still move the culture without chasing trends. It’s proof that real artistry, paired with intentional rollout and storytelling, still matters. I give this project a solid 8.1/10—not just for the music, but for what it represents: a return, a reunion, and a reigniting of something powerful.

Final Verdict:8.1/10 — A grown-man rap album that blends nostalgia with evolution. Clipse is back, and they never sounded better.